An example of a harvest moon.
On Tuesday night at The Dorchester in London I am missing a special dinner with amongst others Naomi Campbell and Linton Kwesi Johnson. Instead I am here in the heart of the Shropshire countryside. I spent the week eating sleeping waking and tutoring in The country home of Late English playwright John Osborne. . There are two houses in thirty acres of manicured land with a picture book “lake”.
With a cotutor and sixteen adults there is nothing magical about how to make a course
work for the students go away inspired and invigorated. However when a course does work well it is magical. Preparation and communication between tutorsis the key.
Previous to the course we met and discussed the format of the week. In addition we met throughout the actual week to check the format was online.
The day begins with sunlight finger tipping its way across rolling hills to the house.
The sizzeling sound of Shropshire bacon spills from the farmhouse kitchen through to the dining room with its still standing spent tired candles of the previous evening. Soon enough the benches outside the house are full with waking people, steaming tea, ready for the morning meeting. What happens inside the students, with a really good course which this was, is a heightened state due to intense concentration on art. This sends internal fissures, like those in iced lakes racing with lightening speed through the centre of personality. Honest.
Mid Week there’s the guest reading. The lounge upstairs is prepared and lit by candlewicks on bookshelves and windowsills. At one side of the room two clear lamps stand each side of a writers chair surrounded by bookshelves. Gwyneth Lewis takes her seat, delivers her magical reading from both novels and books of poetry and casts a spell over us all.
Each day I wake at 6am and sleep at midnight. The Friday night reading by the students who range from seventeen to eighty three years old began in the lounge of the house. But
then the the entire group upped and walked down the stairs out of the house, through the woods by candle light and to The Foyles Studio, a converted barn. Mid walk someone pointed at the sky and the moon, almost yellow slotted into clotted crème clouds. She was holding up a three pronged candle stick “A harvest moon” she said, transfixed.
It was as if this moon had fallen from a childs painted story book to enchannchant us all.
Later my bedroom looked out on the tree canopy that surrounded the house from where peels of laughter curled into the night.